摘要
杨潮观的部分杂剧作品,深刻表现世间苦痛与哀伤,同时又洋溢着高尚的道德情操与慷慨悲壮的阳刚美、崇高美。这种艺术的审美性基于作品主人公具备优秀而崇高的"个体道德"。它使读者与观众既领略作品丰富而深厚的历史情怀,又深刻地感悟坚实而深厚的民族道德力量以及深入其骨髓的民族优秀文化的感召力。作品的美学意蕴和美学基质反映出作者对壮丽美、崇高美的偏爱与崇尚,对人格尊严和精神自由的追求。这种美学观的形成源于作者接受民族文化的深刻影响及个人高尚的人格。
Part of Yang Chaoguan's drama works not only express the pain and grief in the world,but also are filled with noble morality and generous masculine beauty and sublime beauty.This aesthetics of the art is based on the hero who possessed noble 'individual morality'.It makes the readers and viewers enjoy the deep historical feelings,understand the profound national moral strength and great culture appeal.Works of aesthetic matrix have reflected the author's preference for the magnificent beauty,sublime beauty,and his pursuit for human dignity and spiritual freedom.The formation of this aesthetics derives from the profound influence of national culture and individual personality.
出处
《江南大学学报(人文社会科学版)》
2015年第5期104-109,共6页
Journal of Jiangnan University:Humanities & Social Sciences Edition
关键词
悲剧
悲壮
崇高
审美
个体道德
美学观
Tragic
Solemn and Stirring
Noble
Aesthetics
Individual Morality
Aesthetics