伊瑟尔“召唤结构”的再认识

Rethinking on Iser's “Call Structure”

德国接受美学大师伊瑟尔提出的"召唤结构"概念,是西方接受美学的重要理论基石。他认为文学作品中存在着空白与未定性的意义,这些"不定因素"唤起读者积极参与生成作品的意义阅读活动。在"实现"一部作品的过程中,可以充分发挥读者的主体创造性作用,从而让文学作品的审美价值得以实现。召唤结构既牵引了读者的审美交流活动,又引导了作者的创作实践活动,真正实现创作过程和接受过程的融合,共同促进当前社会语境下的文学活动向前发展。

The acceptance of the asethetician lser＇s concept of ＂call structure＂ in Germany is an important theoretical foundation to Western reception aesthetics. He believes that there are gaps in the literature and undetermined significance, and these ＂uncertainties＂ arouse the reader to be actively involved in generating the meaning of reading activities. In the ＂realization of＂ a work, it can give full play to the main creative role of the reader, so that the aesthetic value of literary works can be achieved. Call structure not only draws the reader＇s aesthetic exchange activities, but guides the author＇s creative practice, which really realizes the fusion between the creative process and the reception process, and jointly promotes the development of literary activities in the current social context.