2A.G. Basoli and Alfonso Cuaron: Sexual Awakenings and Stark Social Realities:An Interview with Alfonso Cuar 6 n,Cin 6 aste, Vol. 27, No. 3 (SUMMER 2002), pp. 26-29, Published by: Cineaste Publishers, Inc.
3Ernesto R. Acevedo Mufioz : Sex, Class, and Mexico in Alfonso Cuaron's Y tu mama. tambien, Film & History: An Interdisciplinary Journal of Film and Television Studies, Volume 34.1 (2004), pp. 39-48.
4Director segues from global tome to intimate tale, variety, march 27, 2007.
5Rosemary Marangoly George:British imperialism and US multiculturalism: the Americanization of Bumettqs A Little Princess, Children qs Literature: annual of the Modern Language Association Division on Children's Literature and the Children's Literature Association (37) [2009].
6HARRY POTTER AND THE PRISONER OF AZKABAN, Dally Variety, January 10, 2005.
7Tbe trouble with Harry, The Globe and Mail (Index only), May 11, 2004, p.R5.
1Humberto Delgado, Oscars for Mexican Filmmakers, but Where are the Mexican Films? ReVista. Harvard Review of Latin American, Fall 2009/Winter 2010, p. 19.
2Enrique E. Sanchez Ruiz, El empequefiecido cine latinoamericano y la integracion audiovisual, Comunicacidn y Sociedad 2, juliodeciembre 2004, p. 27.
7John Glavin, Dickens on Screen, Can, bridge: Cambridge University Press, 2003, pp. 95-103.
8James Udden, Child of the Long Take: Alfonso Cuaron' s Film Aesthetics in the Shadow of Globalization, Style, Volume 43, No. 1, Spring 2009, p. 26-28.
9Joe Fordham, The Human Project, Cinefex, 110, Jul. 1, 2007, pp. 33-44.
