回归诗性——《呼兰河传》的“陌生化”手法

Return of Poetic Features—— On De-Familiarizing Technique in Tales of Hulan River

"陌生化"手法意味着文学要不断摆脱"自动化"、"机械化"的程式,自觉追求"陌生化"的语言和叙述方式。《呼兰河传》使用了大量的"陌生化"手法使其回归文学的诗性本体地位,从而呈现出一个独创、诗意的艺术世界,这一手法的使用在叙述语言和叙述策略中尤为突出。叙述语言中,新奇的修辞手法,语言的反复和副词"就"、"了"的频繁使用是最富于个人化特色的三种"陌生化"手法。叙述策略中,"陌生化"手法主要体现在两个方面,一是儿童视角的运用,二是情节淡化和时间的假定性。

The de-familiarizing technique requires constantly getting rid of ＂ automation ＂ and ＂ mechanization ＂patterns, and conscious pursuing de-familiarizing in language and narrative. In Tales of Hulan River the poet uses a lot of de-familiarizing techniques to make it return to the status of poetic essence in literature, thus presents an original and poetic art world, the use of this technique being particularly prominent in the narrative language and narrative strategies. In the narrative language, novelty rhetoric, repetitive language and some adverbs frequently used are the three de-familiarizing techniques richest of personal features. In the narrative strategies, defamiliarizing technique mainly lies in two aspects： one is the using of child＇s perspective, and another is the dilution of the plot and supposition of time.