摘要
刘勰将"清丽"的理想审美风格广泛施用于《文心雕龙》的杂文学批评体系中。"清"上承先秦儒道哲学与魏晋人物品藻,涉及作品内容与形式多方面的要求;《文心雕龙》中"丽"主要用于对文辞体貌的形容。以"清"限制并充实"丽",是在"宗经"的终极标准下对作品形式美的提升。刘勰继承古典尚清观念,理性扬弃了齐梁文风,"清丽"体现出宗经传统与通变原则的圆融结合。
"Qing li",as an ideal aesthetic style,was widely used in mixed literature criticism system in the literary mind and carving of dragons by Liu Xie."Qing"rooted in Confucianism and Taoism in pre- Qin period and characters evaluation in Wei and Jin dynasties. It involved in works' content and form. " Li" was mainly used to describe diction, style and features in the literary mind and carving of dragons. Limiting and enriching"li"by"qing"meant promotion of formal beauty under the classics revered rules. Liu Xie inherited the ancient sense of"qing"advocating,reasoningly developed and abandoned the writing style in Qi and Liang dynasties. "Qing li" perfectly combined the classics tradition and evolution principle.
出处
《安康学院学报》
2015年第5期50-54,共5页
Journal of Ankang University
关键词
清丽
刘勰
审美
文心雕龙
批评
Qing li
Liu Xie
the literary mind and carving of dragons
aesthetic
criticism