摘要
抗战时期,女性作家以小说为代表的叙述类文学作品中呈现的主要写作向度为家国、河山。这种写作向度,显示了女性在"抗战"这个特殊历史时期,对自我主体在社会中存在地位的思考与期望。特别是丁玲的小说作品,既有其作为国民的"为革命"的大气势,也有其作为女性的"为自我"知识分子式的细腻反思,两种写作思维在其作品中互相交杂、碰撞,显示出此时期在抗战主流话语下,女性写作中女性意识的自觉遮蔽与自觉觉醒。
During the Anti Japanese War,the main writing to family and country by female writers represented by fiction narration In literary works. The writing to the degree that women are under the "war" in the special historical period,thinking and expectation of the existing status of self body in the society. Especially in Ding Ling's novels,is a national "revolution" of the big momentum,there are also women as their "delicate self reflection" intellectual type,two kinds of writing thinking hybridist,collision in her works with each other,showing that in this period of the Anti Japanese War,revolutionary mainstream discourse,female consciousness in female writing consciousness awakening and self shielding.
出处
《安康学院学报》
2015年第5期69-72,共4页
Journal of Ankang University
关键词
抗战时期
女性写作
主体认同
the period of Anti Japanese War
female writing
subject identity