被压抑者的“归来”:《归来》中潜在文本的意义指向

The Return of the Oppressed: The Potential Meaning Text in Coming Home

在精神分析理论及女权主义理论的双重观照下,张艺谋的新作《归来》呈现出一个与表层故事完全不同的面相。父亲与女性欲望的冲突及其引发的认同问题既是影片的主要架构,也构成影片潜在的文本。影片在形式层面采用古典叙事电影的语言表达手法,形式上的相对保守与内容上的激进产生一种暧昧性的张力,使该片向一种开放的解读空间敞开。

Under the dual contemplation of psychoanalytic theory and feminist theory,Zhang Yimou＇s new film Coming Home presents a completely different story from its skin layer. The conflict between＂father＂and female desire and the recognition problem caused by the ＂father＂are not only the main frame of the film,but also the film＇s potential text. At the formal level,the film uses classical narrative form. The ambiguity,which caused by radical content and relatively conservative in form,makes the film open to an open interpretation.