中景哲学:早期中国电影美学困境的突围路向

Philosophy of Medium Shot: The Way that Aesthetics of Early Chinese Firms Broke Through Straits

在中国早期电影中,中景镜头较多地被运用。细加辨析,中景的选取是早期电影工作者对外来技术吸收和对中国传统美学继承的表现。中景镜头系统建构出一个"游"的电影空间,形成中国电影独特的中景哲学。电影工作者通过"中景哲学"实现了一种在空间上保持统一、在时间维度上产生延续性,渐次产生意义的电影陈述。"中景哲学"使得电影的现实内涵挖掘与艺术形式探索相交融,对当下中国电影的发展具有不可估量的借鉴。

Medium shot is widely used in early Chinese firms. By analyzing,it is the way that early filmmakers absorbed foreign technology and inherited our traditional aesthetics. Medium shot system make a film space of＂Wander＂becoming the Chinese film artistic philosophy. Early Chinese filmmakers used Medium shot Philosophy,which created a film statement that was concordant In the dimension of space,continuous in the dimension of time and increasingly meaningful. Philosophy of medium shot is the way that aesthetics of early Chinese firms broke through straits,which contains vital realistic significance and artistic seeking.Therefore,it has inestimable significance to the present development of Chinese films.