摘要
张善琨是孤岛时期中国电影界最典型的商业代表,抗战夹缝中的灰色岁月注定使他成为一个被"双重敌化"的颇具争议性的人物。不过,倘若回到民国历史重新认知张善琨及其影业公司如"新华"现象,我们就会对历史与历史人物的复杂性有更丰富贴切的不同认知。事实上,在经济利益诉求上,孤岛求生的张善琨在客观上是推动民族影业发展的旗手与功臣;在多种力量相对并存的民国电影格局之下,张善琨所代表的影业可谓民间一方的中流砥柱。
Zhang Shankun is the most typical business representative in Chinese film industry during the period of "isolated island". He was destined to be a controversial figure and was "double againsted"in the grey days of the Anti-Japanese War cracks. However,if coming back to the Republic of China,people would re-recognize Zhang Shankun and his film company,such as "Xinhua"phenomenon,and would have different and more appropriate cognition of the complexity of history and historical figures. In fact,on the economic interests,struggled in the island survival,Zhang Shankun is the flag bearer and contributor to promote the development of national film industry; and under the pattern of the coexistence of diverse power at that time,the film industry represented by Zhang Shankun is the mainstay of the civil society.
出处
《宜宾学院学报》
2015年第8期18-23,30,共7页
Journal of Yibin University
基金
教育部人文社会科学研究规划基金艺术学项目"‘反法西斯’的想象共同体:华语二战电影研究"(13YJA760041)
关键词
张善琨
孤岛
抗战电影
民间
新华
Zhang Shankun
isolated island
Anti-Japanese War films
folk
Xinhua