红高粱美学:从小说到电影到电视剧

Red Sorghum Aesthetics: From Fiction, Film to TV Drama

《红高粱》作为当代中国三十年时间里的一个耀眼的文学艺术现象,先后有小说、电影和电视剧作为其中的代表性作品。这一艺术现象可生发出一种"红高粱美学"。红高粱美学是当代中国民众艺术审美趣味和艺术家审美情怀的遭遇和碰撞的一种独特的景观,它呈现为小说的审丑与审恐怖,电影的色彩模块化、审美符号化,以及电视剧建立在民俗审美和人性丰富性、复杂性基础上的悲剧美学。红高粱不但成为高密东北乡的文化图腾,而且成为中国当代最为壮丽的美学景观。

'Red Sorghum' as a dazzling literary and artistic phenomenon of contemporary arts in China, is the representative works of fiction, film and TV drama. These art phenomena would be issued an 'Aesthetics of Red Sorghum '. Red Sorghum aesthetics is a kind of unique landscape by encounter and collision of people aesthetic art interest and artists aesthetic feelings in contemporary China, it presents the ugly and the trial of terrorist of the novel, color module, aesthetic symbol of the film, and the folk aesthetic nature and richness, complexity on the basis of tragic aesthetics in the TV drama. Red sorghum has become not only the cultural totem in the northeast township of Gaomi in Mo Yan's literary world, and becomes the most magnificent aesthetic landscape in contemporary Chinese.