舒伯特钢琴奏鸣曲中的线性和声技法研究

Study on linear harmony techniques of Schubert piano sonatas

线性和声技法的形成、发展与成熟经历了一个漫长的过程。到浪漫主义中晚期开始得到作曲家的重视,成为调性音乐作曲的一个极其重要的和声技法。以舒伯特钢琴奏鸣曲为分析对象,以传统和声1为角度,系统阐述线性和声技法在舒伯特钢琴奏鸣曲中的应用情况以及线性和声在调性音乐作品中所起的结构力作用。

The formation, development and maturity of linear harmony techniques undergo a long process. It was from the middle and late Romantic Period that composers began to value this technique which became a vital harmonic technique of tonal music composition. This thesis selects Schubert Piano Sonatas as the analytic target to systematically expound the application of linear harmonic techniques to Schubert Piano Sonatas and the structural force of liner harmony in tonal music works from the perspective of classic harmony.