摘要
科举文化与文学评点的关系在学界已经得到了高度的重视,程墨评点对文学评点的影响则是一个需要深入讨论的问题。本文以明清戏曲评点为检视的焦点,考察明清程墨评点在价值取向、批评范畴和评点形态上对明清文学评点的影响,考察明清程墨评点的发展流变与戏曲评点的发展流变之间的关联。把由王士骕开始的明代程墨评点风尚作为考察戏曲评点流变的风向标,认为天启、崇祯在戏曲评点史上有其独特的个性和范式建构的意义,其评点范式在清顺治、康熙间发展为成熟的批评形态。
The relations between the culture of imperial examinations and the literary commentary have been attracting high attention. But the problem that the commentary on the examination paper effects the literary commentary has not been paid attention enough so far. This paper discusses how the commentary on the examination paper to influence the literary com- mentary on the value tendency and the criticism category. The paper studies the relations between the history of commentary on the examination paper and the history of commentary of Chinese Ancient Opera in the Ming and Qing Dynasties.
出处
《长江学术》
2015年第3期49-55,共7页
Yangtze River Academic
基金
中央高校基本科研业务费专项资金资助
2015年度国家社会科学基金项目<宋元明清程墨评点与文论的关系研究>(批准号:15BW103)
2014年上海市哲学社科规划课题<南宋以来戏曲研究与学术思潮之关系研究>(课题批准号:2014BWY001)的阶段性成果
关键词
程文
墨卷
评点
王士骕
范式
Commentary On the Examination Paper
Ancient Chinese Opera
Paradigm