摘要
描写返城知青生活的电影和电视剧在人物塑造、情节设置、价值标准和类型元素等方面存在着诸多共性,这些共性受制于知青集体无意识中的自恋情结及其初恋无限好的情感指向。而高度类型化的人物,一方面具有极强的道德劝诫功效和精神引擎功能,另一方面又必然会忽视人物性格的逻辑发展,忽视人性的多样性复杂性和牺牲掉细节的真实。知青影视这种向家庭伦理倾斜的创作指向与世纪末以来的社会思潮和大众消费娱乐文化的迅速崛起密切相关。
The life of educated youth back to the city described in films and television share many features, such as character arrangement, plot settings, value standard and type elements. The highly typed characters have a function of strong moral drive, it is also bound to will ignoring the logical development of personality, ignoring the complexity and diversity of human and sacrificing the real details. This kind of creation inclined to family morality is closely related to the rapid rise of social thought and the mass consumption and entertainment culture since the end of the 19th century.
出处
《长江学术》
2015年第3期71-77,共7页
Yangtze River Academic
基金
中央高校基本科研业务费专项资金资助
国家社科基金:"文学视域下的知青影视研究"的阶段性成果
项目批准号13BZW156
关键词
知青影视
家庭伦理
类型化
社会思潮
娱乐文化
Film and Television of the Educated Youth
Family Morality
Typification
Social Thought
Entertainment Culture