两种女性精神的对话——谈《霸王别姬》的复调表义结构

The Polyphonic Structure of Overlord Farewell My Concubine

作为小说家的莫言在话剧创作上也卓有成就,他以既不同于传统,又与现代极端的先锋话剧不同的姿态进行话剧创作,一方面继承了他小说中的音乐性,另一方面又有所创新,寻找到了新的音乐形式。以话剧《霸王别姬》为例,通过虞姬和吕雉这两个女性精神的对话,可以看出《霸王别姬》的交响式复调表义结构。

As a novelist , Mo Yan is also renowned for his novel achievement in the creation of drama , he performances various postures in drama creation which are different from the traditional and the modern pio- neer of extreme, on one hand his drama inherited the musical characteristic in novels, on the other hand the dramas are innovative, we can find new musical forms which are used to express meaning presented in his dra- mas structure. This article takes drama Overlord Farewells My Concubine for example, by Yuji and Lvzhi two female＇ s spirit dialogue, My Concubine. talking about the symphonic style and ideographical structure in Overlord Farewells