1Randy Laist, Technology and Postmodern Subjectivity in Don DeLillo "s Novels, New York: Peter Land, 2010, p. 1.
2John Duvall, The Cambridge Companion to Don DeLillo, New York: Cambridge University Press, 2008, p.2.
3Annie Longmuir, "Don DeLillo's The Body Artist: Performing the Body in Narrating Trauma" , in Modern Fiction Studies, Vol.53, No.3 (Fall, 2007), pp. 528-543.
4Adam Thurschwell, "Writing and Terror: Don DeLillo on the Task of Literature After 9/11" , in Law and Literature, Vol. 19, No. 2 ( Summer, 2007 ) , pp. 277-302.
5Peter Schneck, Terrorism, Media, and the Ethics of Fiction: Tansatlantic Perspective on Don DeLillo, New York: Bloomsbury Academic, 2012.
6Jan Riepe, The Future Belongs to Crowds.- Media in Don Delillo's Libra, Mao II and White Noise, GRIN Verlag GmbH, November 9, 2013.
7Leigh Claire La Berge, Scandals and Abstraction." Financial Fiction of the Long 1980s, Oxford University Press, December 30, 2014.
8Alessandra De Marco, Don Delillo's Fiction of Finance Capital, in Literature Compass, Vol. 11, Issue 10(Oct, 2014) p.657.
9Paul Giaimo, Appreciating Don DeLillo : The Moral Force of a Writer's Work, Santa Barbara, Calif. : Praeger, 2011.
10Henry Veggian, Linda Wagner-Martin, Understanding Don DeLillo, Columbia: University of South Carolina Press, 2014.
