从《隋书·经籍志》看“魏晋文学自觉说”——以《文心雕龙》为例

The exploring of the Theory of Consciousness of Literature Of Wei Jin Dynasty from the Records of Classic Books in History of Sui Dynasty——Taking the Literary Mind and the Carving of Dragons for example

《隋书·经籍志》反映了唐以前的文化典籍和学术流变。由其将《文心雕龙》等文学批评著作收纳在"总集"中可以窥见编撰者对文学总集与文学批评区分的模糊性。文章从"文体细分"入手,阐述《隋书·经籍志》的承继与不足,否定了"魏晋文学自觉说";在总结唐前总集特点的基础上,肯定了《文心雕龙》在一定范围内是符合总集标准的。通过分析《文章别流集》、《诗评》的著录情况认为,《隋书·经籍志》的著录瑕疵是时代的局限性。最后,得出结论,文学自觉应该是一个长期发展且不断累积进步的过程,而非单属于某个朝代某个时期。

The Records of Classic Books in History of Sui Dynasty includes the ancient books which before Tang dynasty , re- flects the classic books and academic change . However , the Literary Mind and the Carving of Dragons which included in the anthology reflects the editor was not clear about the distinction between literary anthology and literary criticism. The thesis lists the Theory of Consciousness of Literature of Wei Jin Dynasty, explains the inheritance and defection in the Records of Classic Books in History of Sui Dynasty which from the subdivision of literary style to rejecting the theory of Consciousness of Literature of Wei Jin Dynasty. On the basis of the features＇ summary of anthology which before Tang dynasty, the thesis affirms the rationality of the Literary Mind and the Carving of Dragons included in the anthology. The thesis also lists the Collection of Articles＇ Classification and the Poem＇ Assessment to revealing the limitations of the times. The consciousness of literature should belong to a long-term process of development and continuous accumulation,instead of one dynasty or one time.