响堂山石窟的雕刻艺术与古代磁州窑的装饰

The Carving Art of the Buddhist Cave Temples of xiangtangshan and the Decoration of the Ancient Cizhou Kiln

响堂山石窟与磁州窑,均兴起于我国的北朝时期,而且还处在一个相同的地域之内,特别是滏阳河流域的临水窑和彭城窑,就位于响堂山石窟所在的鼓山南麓的周边地带,石窟在山上,窑厂在山下,两者相得益彰。二者由于地缘关系,在长期的发展中它们之间的艺术交流极为密切。从古代磁州窑的装饰纹样可见,响堂山石窟雕刻的覆莲瓣纹与卷草纹,以其个性形态呈现出的特有艺术魅力,对古代磁州窑器物的装饰产生了非常重要而深远的影响。

The lotus pattern and scroll grass pattern of carving art in the Buddhist Cave Temples of Xiangtangshan, with a unique artistic charm, exerted a very important influence on the decorative art style of the ancient cizhou porcelain. Those two patterns, adopted widely in the development of cizhou kiln, made a crucial contributions to the formation of the decorative art of cizhou kiln.