期刊文献+

瑞士馆 一个消费主义图景下的展览建筑

Swiss Pavilion Exhibition Architecture under the Scenario of Consumerism
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摘要 2015米兰世博会瑞士馆以展示瑞士独特产品、展现个体责任、公平分配食物和资源可持续性为出发点,由四个食物塔为主要组成。而从消费主义和产品符号涵义入手的建筑也招来巨大的非议。文章主要探讨了这是设计设定的目标和条件矛盾所致,还是确实瑞士馆给出了消费主义文脉下展览建筑的新解释。 The Swiss Pavilion with heart of four "food Towers" has opened to public in Milan Expo 2015. It exhibits the typical foods from the Switzerland and reflects individual responsibility,the equitable distribution of food and sustainability. But it comes critic on the design with consumerism and too many product symbols. Is it a problem in contradiction between design and difficult conditions of construction or does the pavilion give a new scope of exhibition architecture in context of consumerism,
作者 汪弢
出处 《时代建筑》 2015年第4期90-95,共6页 Time + Architecture
关键词 国家馆 图景 波普艺术和消费主义 National Pavilion Scenario Pop Art andConsumerism
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参考文献5

  • 1Gabriele Detterer. Zeichen und Wunder-Die Mailnder Expo aus architektonischer Sicht [EB/OL]. http://www.nzz,ch/feuilleton/ kunst a rchitektur/zeichen-und-wunder-1.18532416 2015-04- 30.
  • 2Reyner Banham. The Pompidolium [EB/OL]. ht t p://www.architectu ral- review.corn/ 2015-03-02.
  • 3Victor Bockris, The life and Death of Andy Wahrol[M]. New York: Bantam Books, 1989. 105.
  • 4Heiner Bastian. Andy Warhol Retrospektive[M]. Cologne: DuMont, 2001.26.
  • 5Reyner Banham. Industrail design and popular art[J]. Industrial Magzine, 1960.(3).

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