《石涛画语录》“蒙养”解析

Analysis of “Mengyang”, a Concept from Shi Tao's Commentaries on Painting

石涛作为清初的僧人画家,以其独具别格的画风和画论被人所熟知。"蒙养"是他画论中所提到的重要概念之一。这个概念并不属于石涛原创,是从中国古代《周易》中继承而来,然而在《石涛画语录》中,石涛结合自己对生活与艺术的理解,赋予"蒙养"新的含义,对画家深刻理解艺术与生活、修养与创作之间的关系深具启迪作用。

Shi Tao, as a monk painter in the early Qing Dynasty, was known for his unique painting style and theory. ＂Mengyang＂ is one of the most important concepts he referred to in his painting theory. This concept was not created by Shi Tao, but came from The Book of Changes. However, in Shi Tao＇s Commentaries on Painting. in connection with his own understanding of life and art, Shi Tao endows ＂mengyang＂ with a new meaning, which deeply enlightens painters in their understanding of the relationship between art and life, accomplishment and creation.