摘要
设计一定有超越专业理性、创作私欲的更高目的。它实际上来源于隐秘微妙、不为人说的日常经验和个体记忆……这些记忆是《追忆似水年华》里下午茶玛德莲点心的味道;是家乡旧居橡木地板的温润光泽;是彼得·卒姆托通往姑妈花园的别致的门把手;是蔡确＂手倦抛书午梦长＂时旁边的＂纸屏石枕竹方床＂。在这些真实而具体的时空交点,似曾相识的空间、材料、光线以不同的方式组合.
Design must aim higher which would go beyond professional rationality and personal desire. It in fact comes from our subtle and unspeakable daily experience and individual memories ... It is the flavor of Madeleines desert from Remembrance of Things Past; it is the soft gloss of the oak flooring in the Heimat; it is the elegant door handle of the garden of Peter Zumthor＇s aunt; it is the paper screen, stone pillow and bamboo bed along the noon snap of Cai Que.
出处
《建筑创作》
2015年第4期67-87,共21页
ArchiCreation
