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Fullness out of Minimalism Interpretation on the Narrative Style of Raymond Carver' s“Cathedral”

Fullness out of Minimalism Interpretation on the Narrative Style of Raymond Carver' s“Cathedral”
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作者 YAN Ning
出处 《Sino-US English Teaching》 2015年第10期795-801,共7页 中美英语教学(英文版)
关键词 极简主义 教堂 风格 解读 短篇小说 写作 故事 人物 Raymond Carver, “Cathedral”, minimalism, epiphany, ellipsis
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参考文献9

  • 1Arias-Misson, A. (1982). Absent talkers. Partisan Review, 49, 625-628.
  • 2Carver, R. (1983). Fires (pp. 24-26). New York: Vintage Books.
  • 3Carver, R. (1984). Cathedral (p. I). New York: Vintage Books.
  • 4Carver, R. (1992). Raymond Carver short stories (pp. 131-150). Beijing: China Translation & Publishing Corporation.
  • 5Grimal, C. (1999). Stories don't come out of thin air. (W. L. Stull, Trans.). Retrieved from http://sun.iwu.edu/-jplath/carver.html.
  • 6Hallelt, C. W. (1999). Minimalism and the short story." Raymond Carver, Amy Hempel and Mary Robinson (p. 1). NewYork:Edwin Mellen Press.
  • 7Kounios, J., & Beeman, M. (2009). The Aha! moment: The cognitive neuroscience of insight. Current Directions in Psychological Science, 18(4), 210-216.
  • 8Morris, B. (1971). Epiphany in the modern novel (p. 18). Seattle: University of Washington Press.
  • 9The Pads Review. (1983). Raymond Carver, the art of fiction No. 76. Retrieved from http://www.theparisreview.org/interviews/3059/the-art-of-fiction-no-76-raymond-carver.

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