摘要
数字化的支持模糊了文字与图像间的界限,数字化应用正呈现出更新的人类学的表现形式,这种方式不仅是技术的更新,更是田野表现方式的创新,也是人类学必须接受的新的实践形式。在中法和国际数字、影视人类学的开放性交流中,需要在各自的传统文化脉络和快速的世界信息交流中思考"原创的思想叙述"。
The boundary between words and images has been blurred by the application of digital technology,which serves as anew form to present anthropology.Such anew form refers to not only the updating of technology,but also an innovation of presenting in field work,and anew form of practice that anthropology should accept.In the open exchange of digital anthropology and film anthropology between China,France and the world,the thought narration of originality should be considered in their own traditional culture and the prompt information communication of the world.
出处
《广西民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2015年第5期71-73,共3页
JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
关键词
数字人类学
数字化
民族志影片
不浪费的人类学
digital anthropology
digitalize
ethnographic film
no-wasting anthropology