中国传统艺术花鼓灯中的美学思想阐释

Explains on the Aesthetic Thoughts of Traditional Art Huagudeng in China

结合中国传统美学思想以及中国艺术的内在精神,以传统艺术中的"游""灵性"及"即兴性"等,分层梳理中国传统艺术花鼓灯中的美学思想和艺术意蕴,勾勒出生于民间、长于民间的这一传统民俗的灵秀气质。花鼓灯是发源于淮河流域的一种综合性的舞蹈艺术表现形式,是我国第一批入选国家级非物质文化遗产名录的民间艺术。花鼓灯的表演契合了中国传统美学逍遥的思想内容,花鼓灯艺人在进行表演时,其肢体语言之无拘无束、了无挂碍的展现状态,将束缚于身体的各种执着任意的放逸,极净地勾勒出了民间艺人的潇洒与自信。

Combined the inherent spirit of aesthetics Chinese tradition thought and Chinese art as an op- portunity, with the traditional art of ＂travel＂ ,＂ spiritual＂ and ＂improvisation＂ in this paper, a hierarchy of aesthetics and artistic implication of carding Chinese traditional art flower drum lanterns were analyzed in outline, which was born in the folk, longer than the traditional folk custom in that touch of delicately tem- perament. Huagudeng is originated in the Huaihe River Basin of a comprehensive dance art form,it is the first batch of selected state-level the Intangible Culture Heritage in China. Huagudeng performance agreed with the content of the Chinese traditional yed in performances with body language an aesthetics free thought and unfettered, Huagu opera artists pal- d show of free, it will be bound to body of arbitrary attachments in heedlessness, very clean sketched out the folk artists of smart and self-confidence.