论彝族诗人玛查德清与阿苏越尔的诗歌创作

A Study of the Creation of the Yi Poets Macha Deqing and Asu Yue 'er

当代大凉山彝族诗人群汉语诗歌创作崛起于20世纪80年代,诗人玛查德清与阿苏越尔以其独特的诗歌创作为这一诗人群增添了鲜丽的色彩。玛查德清对本民族文化在实现了"远离式回归"的同时,揭示彝人充满忧患的历史以及深入灵魂的黑、红、黄三色文化。诗人在继承山地民族传统爱情诗的基础上以细腻传神的心理刻画使古老的情爱方式进行了诗意升华,在深入民族传统文化精神资源的基础上试图走出传统文化的羁绊,实现民族文化的现代性重构。而阿苏越尔的诗歌创作具有清新的乡土气息与深沉的文化家园意识,诗人以传统文化中精神意象复原一种现代诗歌精神,指引着彝人回家的道路,获得心灵的慰藉。

Poetry creation in the Chinese language by contemporary Yi poet group of Daliangshan began to arise in 1980 s. With their unique poem creation, Macha Deqing and Ashu Yue'er, two representative Yi poets,have added bright color to this poet group. While achieving the return to the ethnic culture in going-far style,Macha Deqing, through his writing, has revealed the history which is full of anxiety and the three-color culture which goes deep into soul. On the basis of inheriting traditional mountainous love poems, the writer has upgraded the poetry of the ancient love with fine psychological description. Based on the spiritual resources of traditional ethnic culture, the poet attempts to break the barrier of traditional culture to achieve the reconstruction of modern ethnic culture. In contrast, Ashu Yue'er's poem creation has a fresh local flavor and profound consciousness of cultural homestead. He attempts to restore a spirit of modern poem with spiritual image of traditional culture so as to direct Yi people and gain a spiritual comfort.