摘要
顾恺之是中国最早系统提出"传神论"的绘画美学理论家。"以形写神"、"迁想妙得"等理论成为中国人物画的重要创作方法。从"传神论"的哲学源头入手,讨论各家思想对其画论的影响,论述"传神写照"这一理论中"神"的内涵,重点从审美体验来论证"以形写神"、"迁想妙得"等概念,从而加深对顾恺之绘画理论的理解。
Gu kaizhi is the earliest Chinese system theorists who put forward the theory of painting aesthetics.The theories of"vivid theory"and"Moving thoughts"are the Chinese figure painting creation methods.This article mainly from the source of the theory of philosophy.Discussing various ideas on its painting,and talking about the vivid portrayal and the connotation of the theory of god.Focus on the aesthetic experience to demonstrate"in order to write God","move to the idea of"and other concepts,so as to deepen the understanding of Gu Kaizhi painting theory.
出处
《成都理工大学学报(社会科学版)》
2015年第6期108-111,共4页
Journal of Chengdu University of Technology:Social Sciences
关键词
传神写照
审美体验
以形写神
迁想妙得
vivid portrayal
aesthetic experience
spiritual writing in form
moving thoughts