摘要
宗白华文艺批评的启蒙精神强调文艺作品应受到科学、理性精神的关照,主张文艺作品引导人们形成积极乐观的生活态度,期望文艺作用到民族复兴大业。1932年后,他的文艺批评精神转向审美体道,以品味艺术的方式揭示中国传统文化相对于西方文化的特殊性,期望以中国趋静和谐的文化精神克服西方浮士德式的恶魔人欲,安顿焦虑彷徨的灵魂们。
ZONG Baihua's literature and art criticism spirit of enlightenment emphasizes that literature and art works should be rich in scientific and rational spirit and advocates that literature and art works should guide people to form a positive and optimistic attitude towards life to expect the effect to the great national renaissance. After 1932, his spirit of criticism turns to aesthetically experiencing Dao revealing the particularity of Chinese traditional culture relative to western culture by tasting art to expect to dribble away western human Faust lust to settle anxious and lost souls by the peaceful and harmonious Chinese traditional culture spirit.
出处
《合肥师范学院学报》
2015年第5期90-94,共5页
Journal of Hefei Normal University
基金
安徽省教育厅人文社会科学研究项目"宗白华文艺批评精神研究"(SK2012B392)
关键词
宗白华
启蒙
审美
转向
ZONG Baihua
enlightenment
aestheticism
diversion