摘要
黄梅戏的唱腔淳朴、清新、自然,舞蹈也非常优美,是戏曲表演的重要组成部分,载歌载舞是黄梅戏的主要表演形式,但一直以来人们对于黄梅戏的关注主要集中在唱腔和曲调上,并没有太多关注黄梅戏的舞蹈,在舞台上,如果没有身段的配合,那么黄梅戏的整体艺术性和观赏性将会大打折扣,也很难能发展成影响中外的黄梅大戏。所以,采用文献研究法、跨学科研究法、思维方法等研究方法,对表演中起到重要作用的黄梅戏舞蹈语言的形成和发展,做一个较为深入的研究,为进一步促进黄梅戏艺术发展的提供支持。
Melodies in Huangmei folk operas are characterized as to be simple, fresh, and natural while the dances, as an important part of the opera as a whole, are also charming and elegant. But the concern arises when most attention paid to the opera focuses mainly on the vocal music and melody, not so much on the dance performance. Therefore, by using methods such as literature review, cross-disciplinary research, and critical thinking this essay makes a deep study on the formation and development of the Huangmei dance. Fur thermore, it analyzes the distinct styles and features of the dance for the purpose of laying a foundation for research in the future.
出处
《南京艺术学院学报(音乐与表演版)》
北大核心
2015年第3期131-134,8,共4页
Journal of Nanjing Arts Institute:Music & Performance
关键词
黄梅戏
舞蹈语言
特点
Huangmei folk opera,dance,characteristics