摘要
为了能够登上民族文化传承的大舞台以赢得更多的关注与支持,强调文化事象族属以及历史的悠久进而凸显传承某个民族文化意义的"传统主义"价值观念成为民族文化传承领域常见的舞台政治学。然而,黎族织锦技艺和黎族民歌艺术的传承过程表明,在文化事象的族属模糊以及历史也并不悠久的情形下,民族文化依然可以获得长足的发展。任何民族文化传统都是历史的产物,超越"传统主义"的局限必须学会谨慎地开发民族文化,将学会"制造"历史视为民族文化传承的历史使命。
In order to appear on the big stage of ethnic cultural inheritance to draw more attention and support,the value of traditionalism highlighting inheritance of a certain ethnic culture has become a stage politics in the field of ethnic cultural inheritance which emphasizes ethnic origin and the long history of cultural activities. However,the inheritance process of brocade skill and folk song art of Li ethnic group shows that even without a clear ethnic origin and a long history,ethnic culture still can develop vigorously. In order to transcend the limit of traditionalism,we should learn to develop ethnic culture with caution and regard learning to create history as a historical mission of inheriting ethnic culture.
出处
《民族教育研究》
CSSCI
北大核心
2015年第5期97-104,共8页
Journal of Research on Education for Ethnic Minorities
基金
2013年海南省高等学校科学研究项目"海南少数民族民俗文化保护问题研究"(项目编号:Hjsk2013-26)阶段性成果之一
关键词
民族文化
文化传承
“传统主义”
ethnic culture
cultural inheritance
traditionalism