摘要
《赛德克·巴莱》作为一部人类学电影,其内容表面上看是一场赛德克族反抗日本军队的斗争,但其实质展现的却是这两个"场域"之间不可调和的矛盾与对立。不战死便自尽的勇气和信念是赛德克族对于祖灵信仰的守护、对于西方文明的本能抵抗。受现代文明影响的魏德圣导演在整部影片的叙述立场上却站在了归属于"野蛮"的赛德克族之中,这样一种立场的叛变也清晰的表达了其对于现代性的反思。
As an anthropological movie,Seediq Bale's content is a Seediq people's struggle against the Japanese army on the sur-face,but its essence shows the irreconcilable contradiction and opposition between these two'fields'. The courage and faith of not beingdead but committing suicide is a guardian faith to ancestors and a instinctive resistance to western civilization to Seediq people. Under themodern civilization,the director of the film Mr. Wei standing on the position of narrative standpoint agrees with'savage'in Seediq. Suchdefection also clearly expresses its reflection of modernity.
出处
《柳州师专学报》
2015年第4期9-11,共3页
Journal of Liuzhou Teachers College
