摘要
作为中国向西方学习的第一个"拿来主义"者,为了表现新事物、新思想、新世界,黄遵宪在其诗歌作品中使用了大量的新语词。这些新语词诗歌与同时代诗人所创作的"新诗"单纯采用外来翻译词语和自造隐语而使诗意无从索解不同,是熔铸新思想以入旧风格。他创作的律诗使用了当时"流行"的新语词,清晰而不呆板,并未给他的诗歌格律造成任何破坏。在内容和形式方面都透露出现代诗歌的新气象,但也仍然恪守着中国诗歌传统的美学原则与审美趣味。黄遵宪以新词入旧诗虽非尽善尽美,但他在这方面开创之功对后来诗界的影响是深远而巨大的。
Language is the carrier of culture,Social progress is also an important ruler,New words in social development play a very important role.Huang Zunxian of new words,Is China learning from the West in the first"take doctrine",Show him the motherland in heart,Have the whole world in view of the wide field of vision.At the same time,For new words,Huang Zunxian also performed in order to examine the traditional aesthetic taste With new things to induct,With new things to induct,This is that his"new poetry"is a very question.The evenitn of new words into which analyzes though not perfect.But he in this pilot status is of far-reaching impact.
出处
《齐鲁学刊》
CSSCI
北大核心
2015年第5期134-139,共6页
Qilu Journal
基金
广东省"十二五"社科规划项目"黄遵宪在中国新文学建构中的历史地位研究"(GD12XZW13)
关键词
黄遵宪
新语词
考释
拿来主义
审美趣味
Huang Zunxian
new words
textual research
take doctrine
aesthetic taste