摘要
清代的画珐琅制品器形考究,图案华贵,技法精湛,色彩丰富,在各方面都已经达到了顶尖的程度。在这一时期尤其是乾隆年间,出现了一批洋味十足的画珐琅器,它们无论在器形、图案还是装饰方面都呈现出一种独特的异域风情。本文围绕这类富有异域特色的画珐琅出现的原因以及"洋味"的呈现方式展开探讨,总结出实现中西方文化交流的最佳途径,并针对画珐琅文化的传承发展提出自己的观点。
The painted enamel products in Qing Dynasty have an exquisite shape, elegant design, exquisite technique, and rich color, and they have reached the top level in all respects. During that period, especially during the reign of Emperor Qianlong, there was a group of the painted enamel products with a strong exotic savor, and they presented a unique exotic savor in the shape, pattern and decoration. This paper makes a discussion revolving around the reasons why these painted enamels with exotic features emerged and the presentation modes of "foreign flavor", summarizes the best way to achieve the communication between Chinese and western culture, and puts forward its views on the inheritance and development of painted enamel culture.
出处
《设计》
2015年第20期112-113,共2页
Design
关键词
画珐琅
中西融合
传承发展
Painted enamel Chinese and western fusion Inheritance and development