摘要
瑶族史诗《盘王大歌》的研究由早期的盘瓠传说开始,从神话学延伸至宗教学、文化学、音乐学等领域,由文献的整理、介绍、拓展到全面探寻其价值、意义。但成果还相对零散,处于局部性和静态性的研究阶段,应该从"活态文化"的层面探索其价值功能不断变迁的本质与规律。
The fields of research on the epic Guoshan Yao of Panwang Song started from the early folkloristic study of Panhu legends, and then extended from mythology to religious studies, cultural studies, musicology, and etc. The research form of Panwang Song firstly focuses on the literature review and introduction, and then extends the scope of comprehensively exploring the meanings and values. However, until now the research results of Panwang Song are still relatively fragmented, limited and static. With the collected and published of Panwang Song, this paper adopts the point of view "living culture" to explore its constantly transitional nature and law.
出处
《黔南民族师范学院学报》
2015年第5期13-18,共6页
Journal of Qiannan Normal University for Nationalities
基金
国家社科基金重点项目"我国各民族关键符号及其对民族关系的影响研究"(13AZD057)子课题"苗瑶民族关键符号及其对民族关系的影响研究"的阶段性成果
教育部人文社科青年项目"瑶族文书‘过山榜’的社会文化学研究"(13YJC850003)的阶段性成果
贵州省高校人文社科重点研究基地中国山地民族研究中心基地建设项目暨贵州师范学院民族学重点学科建设项目"世界苗瑶研究文献史"的阶段性成果