摘要
本文通过对近年来堪称现象级的中国独立电影《唐皇游地府》的改编策略、电影语法及电影表演美学作粗略探讨,将其置于当代中国独立电影生态与观众接受美学语境下进行打量,试图总结《唐皇游地府》潜藏的电影意识形态与空间政治,并将其剥离出理论框架,来尽可能真实地呈现创作心态与影片的美学意图。
This paper discusses the adaptation strategy, film grammar and performance aesthetics in the so -called Chi-nese phenomenal independent film Emperor Visits the Hell in the context of contemporary Chinese independent films andreception aesthetics with an attempt to summarize the ideology and space politics implied in the film by extracting themfrom the theoretical framework to display the creative mentality and aesthetic inclination as authentically as
出处
《贵州大学学报（艺术版）》
2015年第5期19-23,共5页
Journal of Guizhou University Art Edition
关键词
独立电影
城市空间
超本色表演
independent film
urban space
super unself - conscious performancepossible.
