摘要
本文主要从人类学的角度,对20世纪50年代安顺地戏的文化身份建构进行考察。研究发现,在这一时期,地戏这种黔中地域文化或民俗文化,在新国家建设的过程中,先后获得了"民间戏剧"或"文艺节目"等文化身份。这些文化身份的获得,既有历史传承的成分,更有新国家基于政治治理、社会发展和文化建设的现实需要,是历史文化与现代政治共同建构的结果。
This paper investigates the construction of cultural identity of Anshun Di -xi Opera in 1950s from the anthro-pological perspective. It finds that during the national construction of PRC, Di - xi Opera as a regional culture or folkculture in Qianzhong area subsequently acquired cultural identities, such as, ＂folk opera＂ or ＂cultural program＂ thatembodied the historical inheritance and the practical needs for the new nation in political administration, economic de-velopment and cultural construction as the result of joint construction in history, culture and modern politics.
出处
《贵州大学学报（艺术版）》
2015年第5期121-124,共4页
Journal of Guizhou University Art Edition
关键词
安顺地戏
文化身份
国家建设
Anshun Di - xi Opera
cultural identity
national construction
