摘要
综合史传分析,曹操形象虽不出众却具有不凡的内在气质,但是在经毛氏父子评改《三国志演义》后,小说、戏剧中的曹操"奸雄"形象"脸谱化"逐渐形成。中国古代的文学创作重视教化,曹操形象是随着人们基于以道德评判、封建正统观念为准绳的审美价值观而变化的。
Based on a comprehensive historical analysis, CAO Cao's image is nothing special but has extraordinary in- herent temperament. However, after Mr. MAO and his son commented and correctedthe Romance of the Three King- doms, a "profiling" image of CAO Cao as careerist in novels and plays eventually formed. Literary creation attached impor- tance to education in ancient China. CAO Cao's image changes according to aesthetic values based on moral judgements and feudal ideas.
出处
《安徽工业大学学报(社会科学版)》
2015年第3期42-44,共3页
Journal of Anhui University of Technology:Social Sciences