摘要
哈德逊河画派是美国第一个本土绘画流派,画派的画家都以美国独特的风景作为绘画的主题和对象,但哈德逊河画派主流画家的构图是宏大的,充满英雄主义气概。通过绘画元素来揭示、表现美国积极进取的乐观主义,而乔治·英尼斯不同于画派其他画家,他的作品是亲切小景,所传达的是对田园牧歌与工业化冲突,以及对现代性的不确定性。可见,乔治·英尼斯偏离了哈德逊河画派的主流,但他和其他画家的作品都是对19世纪美国社会转型的反映。
The Hudson River School was the first national painting school of America. Artists of the school took unique American scenery as the subject and object of painting, but their primary composition was grand, filled with heroism. The American positive optimism was revealed by painting elements. Different from other artists, George Inness＇ works were landscapes, delivering his uncertainty about the conflict between pastoral and industrialization and the modernity. Although deviated from the main strain of Hudson River School, being the same with other artists＇, George Inness＇ s works reflected the social transformation of America in 19 th century.
出处
《吉林艺术学院学报》
2015年第4期31-35,共5页
Journal of Jilin University of Arts
基金
湖南省2014年社会科学基金项目(14YBA159):多维视域下的哈德逊河画派研究
