乾卦中的哲学观念对中国美学的影响

The Influence of Qian Hexagram on Chinese Aesthetics

乾卦为《周易》六十四卦的首卦,因其所包含的"创生原则"和"终成原则"而成为"儒家的玄思"所从出之点。尽管其经文和传文本身都不是讲美学或者艺术的,但是通过分析,我们可以看到乾卦中所蕴含的哲学观念对中国古典美学和艺术的深远影响。它的一些基本命题如"一阴一阳之谓道"、"六位时成"、"知几其神"等成为中国美学、艺术区别于西方美学的最基本的哲学依据。

The Qian hexagram is ranked the first in Zhouy＇s sixty-four hexagrams since it contains the principles of＂creativity＂and ＂completion＂which have become the source of＂Confucian speculative thought＂.Although the scripture and the text themselves do not touch upon aesthetics or art,through the analysis,the profound influence can be seen on the Chinese classic aesthetics and art in the philosophy idea from Qian hexagram.Some of its basic propositions such as＂the successive movement of the inactive and active operations constitutes what is called the course of things＂,＂the six lines in the hexagram are accomplished in its season＂,＂those who knows the springs of things possess spirit-like wisdom＂have become the most fundamentally philosophical basis which can tell the differences between the Chinese aesthetics and art and the western aesthetics.