森佩尔的“风格”理论(Ⅱ):建筑形式的产生被引量：1

The “Style” Theory of Semper(Ⅱ):The Generation of Architectural Form

下载PDF

导出

摘要对于19世纪的德国建筑师和理论家戈特弗里德·森佩尔来说,"风格"构成了一条梳理其丰富庞杂的建筑理论的主线。作为讨论他的风格理论的两篇文章之一,该文首先探讨了他对"风格"本体的独特认识和以及围绕其建立起来的有关建筑形式产生的理论,最后重新讨论"风格"这一术语在当下的意义、使用价值以及由其引申出来的形式与建筑设计之间的关系问题。结合森佩尔的建筑基本形式理论,它们将相对完整地展现他风格理论的基本内容。＂Style＂ is a very important clue to understand methodically the plentiful and complicated architectural theory of Gottfried Semper, the famous German architect and theorist in 19th century. This paper as the second of two to discuss his style theory, first we focus on analyzing his unique understanding of the term ＂style＂ itself, and the theory of the architectural form coming into being which is set forth according to it. Finally, we re-discuss the modern meaning of this term, its validity in use, and the relationship between form and architectural design which is induced from it. With Semper＇s theory of the basic form of architecture, they will discover perfectly the primary contents of his theory of architectural style.

作者薛春霖

机构地区南京工业大学建筑学院

出处《华中建筑》 2015年第11期26-30,共5页 Huazhong Architecture

关键词森佩尔风格基本形式类型原型形式建筑四要素 Semper style, Basic form, Type, Archetype, Form, Four elements of architecture

分类号 TU-86 [艺术—艺术设计]

引文网络
相关文献

参考文献21

1Mari Livattum. Gotrfried Semper and the Problenl of Historicism. London: Cambridge University Press, 2004.
2Gottfried Semper. The Four Elements of Architecture and Other Writings. Harry Francis Mallgrave, Wolfgang Herrmann, ". New York, Cambridge University Press, 1989.
3Leandro Madrazo Agudin. The Concept of Type in Architecture: An Inquiry into the Nature o(Architectural Fore1. Diss.ETH NO. 11115, 1995.
4Sonja Hildebrand. Concepts of Creation: Historiography and Design in Gottfried Semper, Joumal of Art Historiography, 2014 ( 11 ) .
5Aldo Rossi. the Architecture oft,be City. the MIT Press, 1982.
6Anthony Vidler. The Third Typology. Rational Architecture 1978, Editions des Archives d' Architecture Modeme. Scott Rimmer.
7The Symbolic Forzn of Architecrtlre: All luvesrigatiml Jim) Its Philosophical Foundatiort and A Disctssiou on The Development of The Perception of Architectural Form by Modem Theore6cians and Symbolist Architect. thesis submitted to the Facuky of the Virginia Polytechnic Institute and State University in partial fidfillment of the requirement for the degree of Master of Architecture.
8戴维.莱瑟巴罗,史永高.戈特弗里德·森佩尔:建筑,文本,织物[J].时代建筑,2010,53(2):124-127. 被引量：15
9肯尼斯·弗兰姆普顿i王骏阳译建构文化研究--论19世纪和20世纪建筑中的建造诗学.北京:中国建筑工业出版社.2007:11-12.
10史永高.森佩尔建筑理论述评　[J].建筑师,2005(6):51-64. 被引量：39

二级参考文献118

1Der Stil in den technischen und tektonischen KLinsten oder Praktische Asthetik.Ein Handbuch furTechniker, Kunstler and Kunstfreunde, Munchen, 1863. 1878-79.
2Semper, Der Stil, Vol I, 1978, p 12.
3Ibidem, p 169.
4弗兰姆普顿.建构文化研究--论19世纪和20世纪建筑中的建造诗学[M].王骏阳,译.北京:中国建筑工业出版社,2007:88--译者注.
5Semper, Der Stil, Vol 1, 1978, p 73.
6J&W Grimm, Deutsches Worterbuch, svv.
7阿尔伯特.赫费尔(Albert Hofer).《语言学研究》( Sprachwissenschaftliche Untersuchungen),第223,随后几页的内容.
8L Diefenbach, Vergleichendes Worterbuch der Gothischen Sprache, FrankfurtA/M, 1851, sv Nauths.
9J Grimm, Deutsche Grammatik, Berlin,1822.
10Semper, Der Stil, Vol 1, 1978, p 7.