以禅通艺,道通为一——饶宗颐书学成就与其诗文琴画之关系

On the Achievements of Jao Tsung-I's Calligraphy and the Relationship with Poetry, Literature, Music Instrument and Painting

饶宗颐是当代身兼学人、文人、诗人、书画艺术家、音律学家多位一体的学贯古今中外的"通儒"式大学者。他以广博的学养、简约而不简单的禅意和元气充盈的诗心创作书法,其书艺和他的诗词文一样"皆以气行",气格超俗;与他的琴艺道通为一,韵律灵动,高山清音;同他的"学者画"相融,极其注重神韵和自我,追求清旷奇古的意境,在恣肆翰墨的过程中,以"饶家样"的独特面貌驰骋书坛艺海,遗世独立而又从容自得,实已臻化境。

Jao Tsung-I is a great master of learning with outstanding achievements, now distinguished nationwide and overseas as a painter, a calligrapher, a string musician as well as a scholar and a poet. This pa?per attempts to give an analysis on the achievements of Jao Tsung-I’s calligraphy and the relationship with po?etry, literature, music Instrument and painting. His calligraphy works are supported by his rich and extensive knowledge and vigorous lyric emotions, His musical art is full of smart rhythms and alpine sounds, in accor?dance with his scholarly paintings, seeking clear and unique conceptions.