鲁迅散文观之我见

A View on Lu xun's Prose

鲁迅虽少有专门的散文理论探讨,其大量创作中却不乏对散文的洞见。首先,鲁迅对散文的内容进行了"真"处理,他对尼采"血写的书"并不赞同,把自己的写作对象指向了琐碎的真实,通过散文,为读者呈现出一个包罗万象的世界。其次,在散文的形式上,鲁迅散文似"匕首""投枪",短小精悍,锋利无比,敲起了时代的警钟。另外,形式与内容又是一对形影不离的"兄弟",作者听从内心的召唤,在作品中将散文的形式附注在内容上,使两者结合起来,在追求形式自由的同时,突破了体裁方面的种种限制。

In Lu Xun＇s prose, although very few are specialized in theoretical discussion, but there is no shortage in a lot of creative prose insights. First, the content of prose Lu xun had a ＂real＂ deal, he does not agree, on Nietzsche＇s, ＂a book written in blood＂ pointing to trivial real objects in his own writing, showing readers an allencompassing world. Secondly, in the form of prose, Lu Xun＇s essays are like ＂dagger＂, ＂spears＂, dapper, very sharp, both as a pair of sober agent, like a pair of fusion agent. He not only listens to the call of the heart in the prose, notes the content, but also the two together. In the pursuit of free-form, he also breaks the limitations of genre aspects.