摘要
刘宋咏物赋保留了魏晋咏物赋的某些写作规范,又体现出新的倾向,具有鲜明的过渡特征。以傅亮为代表的一批作家更注重通过咏物来表达个人的人生体验而不是魏晋玄理;但以谢惠连、颜延之、谢庄为代表的一批作家,则更加专注于对物本身的描写,并吸收诗歌领域的文学成果,从不同的角度对咏物赋进行了探索,使之文辞更华美,音韵更和谐,诗化特征更明显。在新的文学环境中,他们为咏物赋构建了新的自我特色,为齐梁辞赋开启了先声。
The Object-chanting Fu in Liusong period has not only the tradition of the Wei-Jin Fu but also a new content with the vivid transitional character. The writers such as Fu Liang paid more attention to the self-feeling rather than the metaphysics by describing,but the writers such as Xie Huilian,Yan Yanzhi,Xie Zhuang paid more attention to the description of things and absorbed the fruit in the Liusong poems. They explored the Object-chanting Fu from different direction,so that the more gorgeous language,more harmonious phonology and more obvious poetic character appeared in the Fu. The Object-chanting Fu in Liusong period had the self-characteristic in the new literature environment and opened the door to the Fu in the Qi-Liang period.
出处
《华南理工大学学报(社会科学版)》
2015年第5期102-106,113,共6页
Journal of South China University of Technology(Social Science Edition)
基金
广东省哲学社会科学规划项目"六朝文学演进中的正变问题研究"(GD12XZW02)
关键词
咏物赋
声律
诗歌
华美
Object-chanting Fu
phonology
poem
gorgeous