摘要
丹托艺术终结观中有两个关键词是把握其思想的密码,但至今未引起国内学界关注,即理论化和多元化。这两个语词在其著作中频繁出现,表明它们是丹托本人对当代艺术的主要心理认知。从某种程度上说,丹托的艺术终结观是对这两大关键词的阐释,因此它们既是其理论的出发点,同时也是其归宿。忽略这一点,我们将无法捕捉到他艺术终结命题的精义。他把理论化论证成艺术终结的核心内涵,即艺术已经成为一种哲学,而多元化成为艺术终结之后艺术存在的基本态势。艺术之所以会出现多元化格局,正是因为艺术的终结。
This paper argues that two key words to grasp Danto＇s idea on the end of art are theorization and pluralism, and these two terms explain the exposition of the end of art in Danto＇s philosophy. Danto＇s argument for theorization may be the essence of his idea on the end of art, which means that art has become a philosophy while pluralism has become the existence mode of art after the end of art. The diversity of art＇s existence is the result of the end of art.
出处
《文艺理论研究》
CSSCI
北大核心
2015年第5期115-122,共8页
Theoretical Studies in Literature and Art
基金
2011年度国家社科基金西部项目"艺术终结的旅行--从西方到中国"[项目编号:11XZW032]阶段性成果
