摘要
《浣纱记》一剧之所以风行天下,与其鲜明的江南因素不无联系:选择家喻户晓的江南美女西施的故事来叙写,从宣传角度看是个成功的策略;隐逸与事功不悖,剧中渗透了吴越文化的诉求;剧中有众多的江南意象群,如江河湖海溪、姑苏台、会稽山、馆娃宫等,完美地呈现了江南风物;剧作与昆山新腔的结合更是文学与音乐方面江南因素的强强结合。
The nation-wide popularity of the drama The Story of Washing Gauze can be attributed to its close connection with the Jiangnan elements. The drama tells a story about Xi Shi, a household name of beauty, which is a successful strategy in terms of publicity. The drama embodies the pursuit of Wu and Yue Cultures that take a balance between living in seclusion and achieving feats. The drama boasts of images of Jiangnan, such as various brooks, lakes, rivers and seas, Gusu Tower, Kuaiji Hill, and Guanwa Palace, which gives a perfect presentation of Jiangnan scenery. The drama also absorbs the new Kunshan style of Kunqu Opera, which was a powerful combination of Jiangnan elements in terms of literature and music.
出处
《苏州教育学院学报》
2015年第4期12-17,共6页
Journal of Suzhou College of Education
基金
江苏省社科基金重大项目(13ZD008)
关键词
梁辰鱼
《浣纱记》
江南
意象
Liang Chenyu
The Story of Washing Gauze
Jiangnan
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