从“观看”到“游戏”——新媒体语境下电影的形态重构被引量：19

From “Viewing” to “Playing”:The Film Morphological Reconstruction in the New Media Context

导出

摘要随着新媒体的崛起,数字技术给电影的生产、传播与消费全链条带来了极为深刻的变化。本文认为,数字技术消融了各种媒介之间的特异性,形成一种具有互通性的新媒介语境。在此语境中,电影无论是呈现形态、影像形态、接受形态还是生产形态均表现出"跨界融汇"特征,"看电影"作为一种经典艺术消费方式,正在经历从"观看"到"游戏"的历史性跨越,电影制作者、观众和电影及影院的关系也在进行历史性的重构。

作者张斌

机构地区上海大学影视艺术技术学院

出处《当代电影》 CSSCI 北大核心 2015年第11期168-172,共5页 Contemporary Cinema

基金教育部人文社科青年项目(项目编号:10YJC860059) 上海市哲社青年项目(项目编号:2011EXW001)成果

关键词新媒体电影形态融汇观看游戏

分类号 J905 [艺术—电影电视艺术]

引文网络
相关文献

参考文献3

1刘景福,黄鸣奋.平躺的影像:新媒体语境中的电影艺术[J].厦门大学学报（哲学社会科学版）,2013,63(2):116-122. 被引量：12
2黄鸣奋.泛电影:21世纪初的媒体与艺术[J].厦门大学学报（哲学社会科学版）,2010,60(5):91-97. 被引量：15
3黄鸣奋.屏幕美学:从过去到未来[J].学术月刊,2012,44(7):21-29. 被引量：13

二级参考文献74

1宋·苏轼.《送参寥师》,《苏轼诗集》,北京:中华书局,1982年,第906页.
2Glorianna Davenport, "Interactive Cinema Group, MIT Media Lab", In Future Cinema: the Cinematic Imaginary after Film, Edited by Jeffrey Shaw and Peter Weibel. Cambridge, Mass. : London: MIT, 2003, pp. 272 - 279.
3Marsha Kinder," Designing a Database Cinema" ,In Future Cinema: the Cinematic Imaginary after Film. Edited by Jeffrey Shaw and Peter Weibel, Cambridge, Mass. : London: MIT, 2003,pp. 346 - 353.
4Etan Llfeld,A New Kind of Cinema, http ://rhizome. org/objeet, php.'?49238,2009 - 07 - 19.
5Holly Willis, New Digital Cinema: Reinventing the Moving Image, London: Wallflower Press, 2005.
6Francesco Bernardelli, "From Film to Video Art", In Vertigo: A Century of Multimedia Art from Futurism to the Web. Edited by Germano Celant, Skira:Museo d'Arte Modema di Bologna; 2008,pp. 297 - 306.
7Christina Bliimlinger,Harun Farocki,"The Art of the Possibl", In Stuff it: the Video Essay" in the Digital Age , Edited by Ursula Biemann. Zurich: Voldemeer; Wien: New York: Springer,2003,pp. 98 - 111.
8Lev Manovich,"Old Media as New Media: Cinema", In The New Media book, Edited by Harries,Dan. London:BFI Pub., 2002,pp. 209 - 218.
9Michael Allen, "The Impact of Digital Technologies on Film Aesthetics", In The New Media book. Edited by Harries,Dan. London: BFI Pub. , 2002,pp. 69 - 81.
10Nelson Zagalo,et al, "From the Necessity of Film Closure to Inherent VR Wideness", In Virtual Storytelling: Using Virtual Reality Technologies for Storytelling, Second International Conference, ICVS 2003, Proceedings. Edited by Olivier Balet, Gerard Subsol, and Patrice Torguet. Berlin: Springer, 2003, pp. 74 -76.