原声雨的音轨分析——论方路诗歌的灰暗抒情与苦难叙事

Track Analysis of Raw Rain Sounds: Discussion on Gloomy Lyricism and Misery Narration in Fang Lu's Poetries

本文从诗歌写作的技术层面,探讨马华诗人方路在诗歌创作上三个问题。首先讨论诗中的灰暗抒情风格的形成,特别是"哀而不伤,言而不尽"的抒情手法,以及独特的句构所造成的正负面影响。其次,挖掘出方路从抒情转向叙事的演化轨迹,以及支持其叙事技巧的散文诗创作。最后,回到苦难叙事的议题上,分析方路自定义的三阶段创作理念——"伤感、悲情、忏悔"——所必须面对的问题。

This article is aimed to explore three issues on poetry creation of Malaysian Chinese poet Fang Lu in the technical aspects of his poetry writings. Firstly, we shall discuss the formation of gloomy style of lyricism in his poetry, in particular the lyrical approach of ＂deeply felt but not mawkish subject exhaustion＂ as well as positive and negative impacts caused by the unique structures of the sentences. Secondly, we shall explore the evolutionary tracks where Fang Lu steers lyricism towards narration, and also his prose poetry masterpieces supporting the relevant narrative techniques. Lastly, we stick to the subject of misery narration, and analyze the issues faced within the three stages, namely ＂melancholy, sadness and repentance＂ designated by Fang Lu.