摘要
20世纪美国著名作家卡森·麦卡勒斯对基督教的描写非常复杂,她没有把基督教作为主题,却没有一部作品不涉及基督教;她把主人公都设为基督教的叛逆者,却让他们身上都带有基督的色彩;而且,作品中的次要人物又都坚定不移地信奉着上帝,并用自己的"信"与主人公的"不信"进行着激烈的角力。本文通过深入考察其主要文本认为,这其实是麦卡勒斯在用隐性书写的方式来表达对基督教爱的伦理的肯定与渴望。本文将围绕麦卡勒斯的几部主要作品,从基督之爱——无性之爱的隐喻、基督之爱——爱邻人的隐性书写方式、咖啡馆——基督之爱的象征三个方面对其作品中关于基督教伦理的隐性书写展开深入剖析。
The Christianity contexts in Carson Mc Cullers＇ s works are much complicated. She didn＇t take the religion as the main theme to construct her stories, but all her works involves Christianity; not one hero or heroine is really a Christian, but nobody doesn＇t have Christian spirit; furthermore, all the secondary characters who influence the heroes believe in God faithfully and fight for their faiths. In fact, Cason Mc Cullers expresses the affirmation of and thirsty for Agape in an implicit way. As to this, this paper unfolds Carson Mc Cullers＇ s implicit writing of Christian ethics in the following aspects： the metaphor of love without sex, the implicit writing of Agape and coffee house—emblem of the love of Christ.
出处
《外国文学研究》
CSSCI
北大核心
2015年第5期148-155,共8页
Foreign Literature Studies
关键词
卡森·麦卡勒斯
基督教
诚爱
隐性书写
Carson Mc Cullers
Christian ethics
Agape
implicit writing
