论彭浩翔电影的叙事风格与审美取向

A Study of Pang Ho Cheung Film's Narrative Style and Aesthetic Orientation

香港新锐导演彭浩翔凭借自身对电影的无限热爱和"螺蛳壳里做道场"的商业化运作,以平均几乎一年一部的速度,高产优质地创作了多部电影作品,最终成长为集编导于一身的作者型导演。他追求自我突破,拍摄题材多元,类型追求多变,在香港类型片泛滥的情况下用类型的变奏给人新意的同时,又始终保留对风格的坚持,让每部作品都贴上鲜明的"彭氏标签"。用银幕空间展现香港本土的风土人情,抒发对过去岁月的缅怀,记录对当下生活的白描。尽管个人风格多为荒诞现实主义的,但却用细节真实的肌理去表现,悬置了人物的道德观念与价值判断、模糊了真实与虚拟的边界的同时,又始终能让人感觉到他所表达的"对人际关系焦虑尤其是两性关系不稳定"的核心主题。

Pang Ho Cheung relies on his infinite passion towards film - making industry and effective com- mercial operation, producing several high - quality film products with the speed of one - film - one - year. Fi- nally, he grows to be an author - type director. He keeps in pursuit of ego breakthrough, non - repetitive style, multiple subject matter range, and a variety of film types. He has labeled and distinguished by using screen space to present Hong Kong local conditions and customs, expressing the recall of over the past years, and recording current life uncluttered. Although the individual style is for more absurd realism, yet he tends to Use details in performance, lay aside morals and values, blur the boundary of the real and the virtual, and at the meanwhile, put the theme of ＂ interpersonal relationship anxiety especially gender relationship is not sta- ble＂ under the spotlight. Through the deep understanding of his creations, the author of this thesis intends to clarify the process and regulations of Pang~ creation for future reference or research.