摘要
本文从目前所能见到的中国古代不同时期与三弦有关的图像来探究此类乐器在中国流传的情况,试图梳理出锨琴、三弦、渤海琴的渊源和相互之间的关系,并对其中存在的目前还不能解决的学术问题提出乐问,以期引起讨论和关注。
From the exis.ting pictures in different periods of ancient China, this oaper makes a research on the circulating status of sanxian in China, arranges the origins of xian.qin, sanxian, bohaiqin and their relationship, and also raises some unresolved academic musical questions in order to cause discussion and concern.
出处
《乐府新声(沈阳音乐学院学报)》
2015年第3期24-34,共11页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
关键词
锨琴
三弦
渤海琴
乐问
xianqin / sanxian / bohaiqin / musical questions