摘要
利盖蒂是20世纪最具创造性的作曲家之一。他的作品在理念与手法方面都多有新意。事实上,除了在以往研究者比较关注的节奏、音色等方面外,利盖蒂在对织体的处理方面也独具匠心,而这些独特处理尚未引起研究者足够的关注。本文以其最著名的练习曲《华沙之秋》为切入点,探讨了利盖蒂通过织体质、量、空间、密度的变化来形成音乐结构力,以及通过织体变奏来赋予音乐个性与对比的手法,希望以这样的分析对相关研究起到抛砖引玉的作用。
As one of the most creative composers in the twentieth century, Ligety' s works possessesmany innovative, points in t.he ideas and methods.In fact,apart from the merit, which has not been paid enough attention. Based on ms most tamous etude "Warsaw? Autumn", this paper focuses on the music structtre formation power, by. changing the texture quality quantity, space and density, and discusses the musical personality and contrast technique through texture variation in order to get some valuab opmlons.
出处
《乐府新声(沈阳音乐学院学报)》
2015年第3期111-117,共7页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
关键词
利盖蒂
《华沙之秋》
织体的质与量
织体空间
织体密度
织体变奏
Ligeti
"Warsaw Autumn"
the quality and quantity of texture
texture space
tex-ture density
texture variation