小野湖山刊刻清诗的活动与闽人林潭的《晚香园梅诗》

The Ono Kozan'Works of Block-printed Qing Poetry and the Fujian Poet Lin Tan's The Poems of Plum Blossom in Fragrance Garden

明治时期日本脱亚入欧,欧美诗歌体式传入日本,汉诗受到冷落,甚至出现了汉诗否定论。但小野湖山始终没有停止汉诗创作,并继续进行着抄选和刊刻清诗的活动,《晚香园梅诗》即其所刊刻的清诗之一。该诗集为清代闽中林潭著,陈元辅作注,王登瀛作跋。经考证,1721年春,作为谢恩使的琉球诗人程顺则完成公务离开北京到福建,并在福建逗留到6月。在此期间,程顺则通过陈元辅和王登瀛,看到了林潭的咏梅诗,决定出资刊刻。该诗集刊刻几年后传到日本并被重刊,现存最早的和刻本《晚香园梅诗》刊刻于1725年。一百三十年之后,这部诗集才引起日本诗坛关注。1855年出现许多刻本,小野湖山所刻也在该年。湖山借刻此集表达了自己的诗歌理论。

In Meiji Period,as Japan leaping from Asia to Europe,Chinese Poetry was deserted and negated,whilst American and European Poetry Style was introduced to Japan instead. Under such an environment,Ono Kozan kept his transcription and printing works of Qing Poetry as usual and insisted on creating Chinese poems. The Poems of Plum Blossom in Fragrance Garden is one of his printed works of Qing Poetry. This poetry anthology was written by Lin Tan who lived in central Fujian in Qing Dynasty,annotated by Cheng Yuanfu and postscripts added by Wang Dengying. As a result of textual research,in 1721 spring,after finishing official works as a Thanksgiving Ambassador in Beijing,Ryukyu poet Cheng Shunze left to Fujian and stayed till June. During the stay,through Cheng Yuanfu and Wang Dengying's introduction,Cheng Shunze read this anthology and then decided to fund to print it. Few years later after being printed,this anthology had been handed down to Japan and be reprinted. The existing earliest edition of The Poems of Plum Blossom in Fragrance Garden is Japanese block-printed one in 1725. But it did not attract any attention among Japanese poets in that time until 1855. A lot of block-printed types appeared,and Ono Kozan also printed this poetry anthology in the same year to express his poetic theory.